Essay upon Purfrock, Lear, Stevens

Sherry Cheatham

English Literature

Teacher Donna Nixon-Walker

All A bit Mad

Erasmus, in his book In Praise of Folly, hypothese that there are " two types of madness”. Is destructive and creates war, lust, and thirst intended for riches, as the other great and desirable and produces satisfaction and happiness with out anxiety and worry (Hamilton, Adams & Co, London, uk, 1887). The two of these types of madness happen to be depicted through the actions of protagonists just like J. Alfred Prufrock, Ruler Lear, and Stevens. All three characters manage to have a skewed perception of truth in some way leading to Erasmus' definitions of folly and madness. For example , J. Alfred Prufrock's truth lies simply in his world of considering which leads to his lack of ability to talk to others. He could be fixated on his appearance wonderful awkwardness, resulting in his not enough communication skills and involvement in others. Prufrock struggles with the reality that may be in front of him, which is the simple fact that he is aging and he is coping with regret. Over the poem, this individual consistently considers holding discussions with women to the point that it drives him into a state of madness. Erasmus might specify this as a sort of self-inflicted, destructive madness " which usually to be therefore awakened within their conscience about be lashed and stung with the makes and dogs of grief and remorse” (Hamilton, Adams & Co, London, 1887). Another example of this damaging madness is exposed in King Lear's actions as he falls from the throne, which in turn initially comes from pride and lust to get power. This is a result of his inability to identify the reality of Cordelia's like and his being hungry for more power and flattery. Even the Fool in the tale constantly mocks King Lear's sanity and rebukes his behavior. Yet , King Lear finds several clarity in his madness and humility in contrast to the leading part, Prufrock. Erasmus defines the good kind of chaos as males who hunt, build, bet, and keep themselves busy in these states in order to avoid destructive patterns. The protagonist in Remains of the Day, Stevens, fits into its kind of a nondestructive madman. Stevens' reality could possibly be skewed in that he frequently strives to become a dignified and great retainer, yet this individual chooses not focus his energy in other places in spheres of his life this sort of the pursuit of love. His madness can be nondestructive, yet he knows that his obsession with his work shows unfulfilling at times. After his epiphany, he embarks on the journey for answers and happiness. This is exactly what Erasmus describes as a very good madness in order for the protagonist to learn to obtain greatness and productivity like the hunter or perhaps gambler, yet the key is to learn to not become consumed with pure chaos but likewise to achieve total happiness and satisfaction.

Prufrock's statement that this individual has " measured out his your life with caffeine spoons”(51) shows his notion of reality in life can be uneventful and dull and he feels himself the " Fool” at times. He realizes this individual should change, which hard drives him in a constant point out of chaos and wondering his personal abilities. This individual even paints his world as if he was " a patient etherized after a table” (3) He madness is created by himself in that the self-destructive behavior is as a result of lack of bravery and constant anxiety. This individual feels as though he is between routine and feels the necessity to just hold one dialogue, yet he thinks he will probably " disturb the universe” (46) if he really does. This kind of chaos drives grief and patterns of lust. Prufrock is definitely ultimately lustful for a several life with women, like, and pleasure. Yet, he never defines this rather than departs via his mental state. This composition exemplifies the character's disaster in that he knows what he must do, but does not have the power and grasp of reality to do this. Prufrock pursuit of a way of escape from his feelings of self-pity and self-destructive behavior, but he sadly keeps a poor madman throughout his life.

Another sort of a damaging madman may be the character of King Lear....

Cited: " 1 . The Love Song of J. Alfred Prufrock. Capital t. S. Eliot. 1920. Prufrock and Other Observations. " 1 ) The Love Song of T. Alfred Prufrock. T. S. Eliot. 1920. Prufrock and also other Observations. D. p., in. d. World wide web. 26 April. 2012..

Hamilton Adams & Co. " Erasmus. " N. p., 1887. Web. 26 Oct. 2012..

Ishiguro, Kazuo. The Remains during. New York: Knopf, 1989. Produce.

Shakespeare, William, Louis B. Wright, and Virginia A. LaMar. The Disaster of Full Lear. Nyc: Washington Sq ., 1957. Print out.



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